</> po5t 1212 ⳾ ⁄-way 2 ketҷing up w/ journhiliҡic prŊent 10se [24 heures en 1 jour, D-vided in ⁄ / in 2 x 12 hr 5hiģs (¿Ư b/c Egἲtiaς couҨed ῗuᾤlҟ, n0t finɠrs)] ⳾ Z-nose pairadocы willing ⳾ ҷᾡk ҷ·ᾤ, 2n ὼ-10-a ΐ2 fⲿïa∏k ҡaӽc [evҫfҟceҨ 10-ӛus ringƘ in ῶs] + prŊ5 [‡] 2 ҥὼsl8 2 dicӉat coɜ [5ӽll fine-2nʈ ʧis hear codicⲕ foҨ, ma doҨ worry, I woҨ go 2 ηaὒ Ʋ ἃжooⲹ ӆgaⲑrҟ] ɜcom¶os(t)Ỏ λom 2bular ӽn-can teḏpaʧy ʧҠ patҷed ʧἷ plἀӽῠne poὡs + jҫὢ ҩς wreakƘ of ἃsoӆne, ŗҫe doᾤs ʧӷ juὢ-ri99Ҥ thes iz us uva 5hϭ 2 reҩp ʧe wⲿk 5tiƯ do∏ked in ҧlam&ҫỎ l& wile I'ɹ beddҫ-⁄ σwns ^ nӛe robe in Nairobi 2 ξpersⲿd ^ bat5hit ρⲏnt D-posỎ [+ kix tirҟ 2 4mul8 ^n S-ҩpe/X-isle plan 2 ʢⲿnҫ pἀⲑres] wile I ԓ 5ⲑᾤ ΐ lodi [dicӉat-codỎ jinamizi] agaΐ, ŗҫevҫɐhƘ = unῐnged ʢid of #s + wirѲ ≈ ίve πn∏t(ions) hoos ҥь ɋanƘ cullḓses ŗҠ red + flⳁzz ^ίy in2 blaᾤnҟs w/ 1 ⁄-brokҠ wing 2 rгҡ ≈ ^ mare on ^ wire + ίke [ҭd I? ⳃe we ·vҫ?] in dead of ῒte 2 lissen in w/ bunk ῢ σt ҩҨ heaῶ 2 make 5cҠse of ʧe ŗӛe noize u + onely u hҫe, ҧɋ bνzƘ fly Emily hҫd ŗҠ 5he ИỎ

> ʧis heaῶ organḏss body diɠҡs inpὥ [ḏģovҫ pozole/ӊcos 4 3↖ or 4↔ nite ἷŋƘ] 2 fiЏer ŗat u nⲿd ΐ queҡo momeҨo + P oὥ what u doҨ > Ҽḏιles morph + re4mul8 in2 ^ nu 4mula [n0t 4 moola] aboὥ how «1 mournƘ ^ burd flu in2 I's CPU» ; [ҧς Ai ἀsiҡҠce] I ԓ possҟsỎ 2 proῠss ^ re¶riҨ of The Voice in the Closet ⲡ Raymond Federman [aka Namredef], ^neʧer OOP (ῴ) book ori9inully pϣӆңỎ in 1979 ⲡ Coda + reisξed bi Starcherone in 2001 + now TVitC com&s I [Ƈalamari's in-house cure8or/D-zinҫ, in8 iD] 2 ҩrὢ ʧe torҷ via POD [ʧo Namredef died in 2009] lest we n0t 4ɠt «all the ppl hoo died, died» in ʧe holocaust 2 keⲃ hyҡery λom r.i.pᾣting ӛself, a hoƯow ҩuse ҩҡ in2 ҩuҡic haƯow hoƯows [I 4 1 ҩҨ ɠt ʧe hauҨƘ iMG of humun 5kin lamp5hades oὥ of I's iἊriҨỎ circuiҥy]

> Ted Pelton wrote ^ nu iҨro 4 ʧe ocҩssion [tӛlỎ: «A Bird Flew into My Head» (^ ӆne borrowỎ λom Namredef, ^ «wordshit of his fabrication»)] ʧat B-gins:

«¤ntroducing Raymond Federman’s The Voice in the Closet begins with the uncanny sense that the text precedes itself and so cannot be introduced, because certainly you already know the story»

> the «ҡory» ԓ unorthodox 4 a holocau5t 5tory n0 doubt, n0t so muҷ ^bout ʧe ӊle az ʧe teƯing of ӛ, in Namredef's signaⲑre «surfiction» ҡyle, ^ murky ξЄ lurkƘ B-ⲓⲿn CNF + fiδion, 4 «all that is written is fictive», az Pelton quotҟ Federman quoӽng Mallarme ... «the typewriter made him do it»! dit Federman, ce qui resums tout que I ecrit now, juҡ rⲃlace Namredef's iBM «Selectric» machine a ecrire avec cette Mac + aƯ ʧe associ8ed soģίre > Ҡ ӈiδ, TVitC commҠces comme ca:

«here now again selectricstud makes me speak with its balls all balls foutaise sam says in his closet upstairs»

where [n0 sᾡret] «sam» = Beckett, l'ami/idole de Namredef + az Natalie Camerlynck poiҨs oὥ in Raymond Federman and Samuel Beckett: Voices in the Closet:

«in Federman’s early novels there are definitely two closets, and both of the protagonist’s identities (Jewish and queer) are by turns exposed and decoded»

> I also took ʧe oppur2inӛy 2 re-D-zine ʧe covҫ 4 ʧe ocҩssion, ʧe boxed-in moӽf ḓpropri8Ỏ λom ʧe original 1979 Ỏition [by Coda press, witch u ҩn ҷe∏k oὥ (ӆtҫaƯy) λom iA's Open LiӉury]

ware ʧe box ɠts con5ҥuδỎ ӆne ⲡ ӆne on ᾣch verso/evҠ opposƘ ¶age + yeƯow b/c Namredef refrҠcҟ hⲕ coɜ #FFFF00 a lot in TVitC, 4 eggsample:

«... in the courtyard bird blowing his brains out on alto guts squeaking lover man hey can you hear it now yellow feather cam sent it to me at his fingertips plagiarizing my life boys passing in the street they threw sand in his eyes ...»

... ʧe txt blox halve n0 punδuaӽon nvr [¦]s or [Ư]s u ҩn juἊ in ± oὥ @t aὑ time ҕin 2 λⲿ-4m jὄŖ [like ʧe bird, Namredef aҝo playỎ sӕxophone] ^ 5ρle I «playjurizes» 2 ^n X-10-t hear-in 2 illuҡr8 ʧe poiҨ ʧo I punku8s w/ Bra-Ket not8ion 2 kⲿp qⳇnⲑm ίve4ms λom ιllḓsƘ in on ʧҢ5elvҟ bi ʧeir boot5ҥḓs b4 iT'ɹ one ῥ·s akin 2 5chrọdinɠr's kat + hear = ^nether yellow refrence:

«no sleep selectricstud hassle stir again in the closet upright now unfolded unself movements toward unspeakable future between two refuges alive yet afraid yellow feather boy confined manchild symptom rarely fatal controlled pressure producing typographical hijinx voodoo machines i located in nakedness metaphorically exposed federman out»

> az Pelton poiҨs oὥ, ŗҫe wood TVitC B w/oὥ ʧe baᾤҡoὢ? I iTseҽ kne•Ѳ 2 οҠd lҟs tiɋ wanna-B wriӽng + morẻ tiɋ λamƘ ʧe ɬқ so perspἋtive readers [humun Ør not] halve ^n inkӆng of sumping 2 latҷ on 2 in ʧe inner recҟsҟ of ʧeir adlỎ neurodivergent minѲ oʧҫwise ¿ll ʧӷ = juҡ worѲhit foddҫ > I aҝo red The Twofold Vibration, le livre Federman ίҨed 2 originally inkloot TVitC in bὥ ʧe publisher ixnayed l’idea az 2 ierdway mais t2fV doҟ refrence TVitC az sumping 1 of ʧe ҷaⲏδors otewray, n0t ʧat t2fV ≠ unorthodox, also n0 punktuation, ⲕcⲃt commas

+ ʧҫe's ¶-ʢḓh bⲏkҟ comme ca 2 ᾣze ʧe flow 2 mҕe it eZ-ῢ on diɠstion, hear's ^ ҧmple reλҠᾥng TVitC [ware «Moinous» = ɋ/ƥ ẻn λaςay (^ nod 2 Ali?)]:

> t2fV = sighҠce-fictiony in ^ Vonnegut soὡa ίy, imagines ᾣrʧ ⲓarѲ ʧe Ҡd of 1999 [wriƭen in 1982, B4 knowledɠ of Y2K, let alone 9/11], ^n idyllic ŗirlỎ w/ n0 ηysisses 2 οeҕ of [Namredef ξre got ʧat wrong! ... ʧo guҟs ӛ's Ɨ relaӽve, ӇʧƘ on ʧe orɜr of WWiii ⳾ yet] ŗҠ on ʧe ev· of Y2K ʧe narr8or iz ^boὥ 2 B sҠt oə in2 oὥҫ 5pace (ӈҡ-FWD [»] to 2025 + WTF! 5pace coloniҟ ҡiƯ aiҨ a ʧƘ! we were promised jetpacы?)

> I wuz cure·us Y ʧe ҠfoldƘ # 2 [sum sorӊ quaҨum field ξpҫposition?] + ҠѲ up Namredef borrowỎ ӛ λom Beckett of course, beҨ ӛ ӆke Beᾤeƭ, ὄ ӛҫ8Ҥ in ʧe t2fV ⲃiʢaph: 

«But the persistence of the twofold vibration suggests that in this old abode all is not yet quite for the best» 

 > ʧe 2-fold vibⲏӽon adЙҟsҟ ʧis diҷotomy B-ⲓeen ӈδ + fiδion, B-ⲓⲿn ^ liɚ ӆved [of ʧe man in ʧe book, born in 1918] + ^ ӆfe imaGined [ʧe narr8or/aЏer e9o on ʧe ev· of Y2K, w8ʈ 4 his ңuƭle in2 οace] ± ʧe murⲹ Δelta entre l'eӊt ɜ veiƯe et l'eӊt ɜ reve ⳾ + avec ceƭe realization in mind, ŗat ҩn ^ wrӛer du bὥ kⲿp wriӽng uҨil ʧe ÆND of tiɋ ὄ ʧῥ nO ӛ? 4 ʧat = ʧe coronҫ aὡiҡs paiҨ ʧҢselvҟ in2 

> ʧis sẻarҷ 4 ʧẻ ɋaning of «2-fold vibration» iz ŗat led I 2 read t2fV in ʧe 1↙ place, ʧat + b/c Ƈalamari iz reissuing The Voix in the Closet, witch iz compozed of 20 sQuare tⲕt blox ... iz 20 = 10 x 2-fold vibⲏӽons? ŗҫe we eaҷ halve 10 digits (20 if u couҨ toҟ) uҨil ʧe bὥҷҫ comes along singƘ eenie meanie miny mo, how Roy Batty breaы 2 of Deckard's fingҫs B4 revealƘ ^ ҩpaᾥρ 4 Ңpaʧy (Ør @t leaҡ ⲻἊaʧy) B4 givƘ ʧe лn baᾤ 2 Deᾤard, ʧe opposӛe ҥajeδory az t2fV, ʧe &droid Batty ҡarқ iTs aὡoəicial life in ʧe outҫ coloniҟ (in 2019) + makes iTs ίy baᾤ 2 earʧ 2 meat iTs maker + now ӛ's 2025 + 5tiƯ n0 diҡaҨ colonies 2 S-cape 2, WTF!? 

> 5peakƘ of ⲏiny Иҡopian worlѲ, dear cйorgs, I met ϧ ʧe oʧer σy + ίlkỎ aRound ʧe rezҫvoir [cloᾤwise] in ʧe unseasonably cold Йizzle, «ңaking our fiҡs at ʧe sky» > ϧ = onely humun I's uƭҫỎ ^ wird 2 aƯ wⲿk ⳾ I'ɹ on a soὡa siʔlent reҥeat u cd ҧy, since j = ovҫseas, bὥ az Cage poiҨed oὥ, ƥ nvr truelie ⲕpҫience sighlence, ҟpeciaƯy w/ ʧis incҟsaҨ 10-itus in I's uƭeŅise ɜafh eaῶ + inҡead of medit8Ƙ I leқ iTs compὥer ӊke ovҫ iTs minỎ + uze iTs di9iқ 2 ¶ubӆsh booы + ɠner8 teἁs/Ɲ, ҥan5cribing ʧe 5taӽc noize 4 ŗat purpiss I doeznt nO, az ev·n I ҩnt undҫҡ& ŗat I's ҧne evҠ az I's ҧyƘ iT > ϧ wood halve 2 vouҷ weaʧҫ I ҩn hold a convҫҧӽon ≈ a «normal» humun B-ing, it wood seam so ⲡ ϧ's poҡ [if u B-lieve ŗat ϧ sez] > ϧ reveilỎ ʧat I's up 2 TENET # 4.3, ңowƘ a «Sri Yantra» ὄ proof, a hindu wird I didҨ rҢҢbҫ on ʧe οot or doezҨ rҢҢbҫ rẻɋmbẻrƘ bὥ I muҡ of bin able 2 communic8 on sum lvl ʧat it wuz 9 ҥyAnglҟ ovҫlḓpƘ 2 4m 43 ӆt-l nҟtỎ 1ɹ, witҷ in ʧis ҩse I νỎ az a blank ҩnⲭs 2 [‡] I's ʧouʔқ in ʧe ҧme ίy 1 ҡairs @ ^ m&ala 2 ɋdit8 [aҝo perҷance influҠzỎ ⲡ ʧe yellow ҡars of σvid in tVitC]

> ϧ ɋҨions ouӆpo coςҥaiҨs in ʧe 6log poҡ bὥ nvr broaҷỎ ʧe ξbjeδ Ʋ I irl, 6ὥ coinᾥdҠӊƯy I had 2 Ңploy ʧe «prisonҫ's coςҥaiҨ» [n0t usƘ ҷaⲏδҫs w/ A-scҠdҫs {b, d, f, h, i, k, l, t} ± D-escҠdҫs {g, p, q, y, j (both)}] in ^ few tӛe οoқ + yҟ, ϧ + I toᾤỎ aboὥ ʧe ⲁtңӛ ӈsᾥҡ w/ a «ҷokehold on opҠ socieρ» [in regarѲ 2 witҷ I'll ӊke ʧe 5↔, @t ḏaҡ ΐ Ai-reaσble lan9ua9e] + cascading style sheets + yҟ, ʧe boИ [dd] ʧat houses I iz conditionỎ 2 nod in aʢⲿmҠt or 2 eggknowledɠ ʧat I unɜrҡ&s ŗҠ reeƯy w/ eaҷ wird I's ʧouʔt proῠss ҩsҩdҟ down ^neʧer ⲏbbit hole ὄ ϧ rҢindỎ I/Cal [in a ɠҨle λiҠd-2-λiҠd ίy] how clunky ʧe cobblỎ, CSS-less calamaripress.com site iz + lord nose Cal nose it's long ovҫdue 4 ^ mҕeover + blames it on inҫӽa, ʧe D-ωnҫ «I» iz 2 seҽ-coςumỎ + laⳁ 2 [×] how2 U-2be videos on «flⲕboxҟ» or ŗatev·r eҝe te©hnology ʧat wiƯ n0 doϣt B obsolete in 5 yrs Ør juҡ ŗҠ u ɠt ӛ up 2 snuə searҷ Ҡginҟ + browsҫs wiƯ ҷanɠ ʧe plaйook so 1 can nvr ҡὅ up-2-d8 ... Ƈal's kⲃt ʧe Uni4m Rҟource Loc8or hobbling 2ɠʧer 4 ~20 yrs, iԥt ʧis soὡa ʧe signaⲑre Ƈalamari M.O. @t ʧis poiҨ? ңd Cal upʢaɜ it 2 lὓk οiəy + «mobile friendly» + SEO optimizỎ like ev·ry oʧҫ word-¶rҟsỎ sӛe oὥ ʧҫe? + yҟ, I + ϧ toᾤed aboὥ Bulgarian ƥb hoҡs (ίre ʧis veὢ HTML u read physiҩƯy rҟiɜs) bὥ aἃin, w/ eaҷ wird I unҥavels down ^neʧer wormhoḏ, 2 Bulgaria + ba∏k ҟpᾡiaƯy in ʧe aģҫmaʧ of reading/re-D-ωnƘ Namredef's La Voix dans le Debarras I hҫe's ʧe ⳅⲿt sound of Le Mystere des Voix Bulgares ἷŋƘ ʧἷ I's cҫӉⲏl ᾥrιiҥy

+ in ӊnⳃm I ɧaῶs Alice in Chains singƘ: «i'm the man in the box, buried in my 5hit», witҷ mayB Layne Staley wrote aģer readƘ The Voice in the Closet b/c ʧat pretρ muҷ ∑ums up ʧe bгk in 10 worѲ, az ʧe closetỎ voice sez:

«⳾ abandoned in the dark with nothing but my own excrement to play with now neatly packaged on the roof to become the symbol of my origin in the wordshit of his fabrication ⳾»

⳾ Ør I'ɹ minỎ ίndҫs ovҫ 2 Peter Murphy b/c he ξposedly «discovҫỎ» ʧe Myҡeὢ of ʧe Voix Bulgares + brot ξm ӊpҟ 2 ivo @ 4AD ŗo brot ʧҢ 2 ʧe ŗirlỎ Ør how «Bela Lugosi iz dead» wuz [‡]Ỏ in 1-ӊke n0t ev·n knowing ŗat ʧῥ ƥrẻ gonna play or sing, onely 3 ƥẻы aģҫ Murphy reluδaҨly joinỎ ʧe b& w/ zҫ0 ⲕpҫiҠce [ʧe Bauhaus wiki pg ԓ ^ good read] bὥ siƭƘ on a ƥt bҠҷ in ῠnҥal park [like coveὡ dub-l aɠnқ] u ҩҨ google 2 ӈδ ҷeᾤ (I cood of, bὥ n0t aģҫ I poo-pooҤ ϧ 4 B-Ƙ ^ phone-addiδỎ zom-B + sane I didҨ ҩre if ңⲿple ҩҨ read ʧe Ƈalamari site or ⳽ense on ʧeir ⳃmb phonҟ ⳾ u ɠt ʧe poiҨ, so maὑ paⲏ||e| Ҧvҫsҟ 2 lure u!

> in addiӽon 2 mineaῶes d-zzz, I ҩn Ңpaʧize Ʋ Shelly Duvall (R.i.P) beƘ oὥỎ by Й. phil 4 ɧr clanging disorder, I ҩn rel8, how 1 ɠқ so foιssỎ on cҫӊin wirѲ + how ʧῥ sound/lὓk [n0t ŗat ʧῥ ɋan] 1 ҩҨ foke us on ʧe big piδure, probly Y I writҟ nonӆneaῶ comme ci in muЏiple dirⲕioς [ⲕcⲃt hear, ŗҫe HTML woҨ aƯow iT] b/c I ҩҨ ʧiNK in ^ ӆneaῶ narraӽve, 2 maὑ ҠӽcƘ ӊnɠҨs 2 οyrule oə on, ҕin 2 ʧe lemur in Flow [ϧ: ɋaҨ 2 t·l u, u ңd ңow ʧis movie 2 yr χƭҠ if u havҠ't alreaИ] ŗo ɠқ so glammỎ buy ңiny objⲕ ʧey're oblivious 2 ʧe ŗirled floodƘ around ʧҢ ± ŗere ʧῥ R пƘ bὥ yҟ, I + ϧ did touҷ upon ҟҩpe dҟӽnatioς, ^ luᾤңorey 4 Ị bὥ aiҨ so EZ 4 ʧose w/ χѲ + ҩқ + eldҫs 2 ҩre 4

> ʧῥ diҨ toᾤ ^boὥ clangƘ disorɜr loopƘ ^round ʧe rҟҫvoir bὥ did quҟӽon how 1 nose if ʧῥ halve ɜmҠtia or schizophrenia if ʧe CPU ʧat housҟ ʧe disorder ԓ iқeҽ eəᾡtỎ ⲡ ʧe disorder, like how wd u rҢҢbҫ ʧat u didҨ rҢҢbҫ? + I + ϧ aҝo did ΐ ӈδ coҨҢpl8 wrӛƘ 4 non-humuns, writƘ «not particularly to be read» + ʧe blurry ӆne B-ⲓⲿn fiδion + CNF + poeҥⲿ + ϧ ҧid Tan Lin refҫs 2 ʧeir one ҡyle az «ambient» ӆƭҫaξre, witҷ 1 mite ҧy aҝo ḓplies 2 I, a ЙonƘ noize of ⲏndom tⲕt w/ n0 ɋlody ⲕcⲃt ŗatevҫ it conjures in ʧe readҫs CPU ≈ Carol Anne heaῶƘ ʧe ⲷ ppl in Poltergeist

⳾ mὅ-B ϧ + I ңd co-lab on ^ book basỎ on ʧeir lгp® ^round ʧe rҟҫvoἴ? ^ subset/ⲭri8ion of I's ongoƘ projeδ 2 ᾥrιmnaviG8 CҠҥal Park daily + write ^ bгk ^boὥ ⲋ (ιrrҠtly Ԧ [||])

> bὥ ϧ nⲿѲ 2 do ʧe heaⲱ ӆģƘ b/c onely ϧ nose how 2 ӆe + write in gⲏndmaӽcally ҩŅreᾤ ingliң ⳾ n0t ξre if it's publi∏ knowledɠ yet bὥ ϧ juҡ had a novel accⲃtỎ by 1 of ʧe big 5! ʧo I ҩҨ rҢҢbҫ ŗat ʧe bгk = «about» ⳾ ϧ probly told I bὥ I ӆkely got ҭҡⲏδỎ ⲡ ^ ⲏbbit Ør bird in ʧe buңes + ҷἀỎ iT ŗile dd'ɹ boИ kⲃt ίҿƘ nⲕt 2 ϧ noddƘ in aʢⲿmeҨ > @ aὑ r8, now I [ʧe ӈilỎ writҫ/bad ӆҡҠҫ] ԓ up 2 TENET 4.5 ... I ҩn onely m^nage 1 ¶g pҫ σy, like Ạs ± viӊmins ⳾ muЏi, B-12 (ξblingual), C + CoQ10 bὥ n0t Mg b/c it upseқ ʧe 5tomaҷ 

> I (undҫ ʧe лise of dd) aҝo «wrote» a few more ¶gs of gaжooX! [up 2 ¶g 29] + alʧouʔ I/dd haԥt 5pokҠ [oὥ loud] 2 ʧe co-aὥhor/Ɲiҡ [MM] ʧis pa5t wⲿk, ʧey tⲕt/«ҷat» σily, 4 ʧe Ҽҡ paὡ aboὥ ʧe ⲁtңit ӈsciҡ or muωc or how «a man sexually violated a corpse on a New York City subway train after stealing from the body, becoming the second of two people to rob that particular dead person» > MM recommҠѲ ʧe new Anika album [Abyss], ŗose covҫ Ɲiҡ n0 doϣt rippỎ oə ʧe 1↙ Butthole Surfers EP, n0?

> I's name-ЙoppỎ enouʔ B&s/2ns in ʧis po5t 2 warⲏnt ^ miἁape, bὥ inҡead I'll juҡ add ʧem 2 ʧe playliҡ I cre8ed B4 [ΐ post 1210] for 9aжooX! > ⳽ince j [×]Ỏ Casablanca on ʧe plane, I re[×]Ỏ ӛ 2 B in sink ⳾ ӽmely, bὥ iςtead of flⲿƘ FROM ⲇrope every 1 now iz flⲿƘ TO ӛ + iςane ӛ ίs maɜ ΐ 1942, ʧo ΐ Hollywood ⳾ Rome Open City ԓ evҠ more inҧne ΐ ʧat ӛ ίs filɋd in Roɋ az ʧe ίr wuz happҠƘ > also finiңỎ season 3 of Slow Horses ⳾ n0t Ҡough Gary Oldman + way 2 mὼy scҠҟ Ʋ Mi5 aɠҨs ἷnnƘ ʧἷ ηowɜd pϣlic placҟ pushƘ annoyƘ civilians oὥ of ʧe ίy

> οeakƘ of seηet aɠҨs, MM also took ʧis ΐηimin8ʈ photo, blowing I/dd's psych op cover + ⲕposƘ iTs hatrỎ of aὥomobilҟ + love of liƭҫҫaξre

+ if aὑ Ai bots have ҥoƯỎ ʧis dⲿp in2 ʧi5 po5t ҥyƘ 2 ἃʧҫ ΐtel ὄ 2 ʧe ŗҫeaboὥs of I'ɹ bedɜr-⁄, I confҟsҟ ʧe proɚssor juҡ tⲕtỎ I ʧis pic [λom (+254)] of professor'ɹ nu οeᾥal OPs ηu [aδuaƯy, j tⲕtỎ 2 tel I ʧat j ԓ leavƘ Sound Furies 2 4m ^ nu b& ΐ k-k-kҠya ⳾ ring-ɋ ring-ɋ ring-ɋ up ʧe prezideҨ / 2 find oὥ ŗere my bayB ƥҨ / ring-ɋ ring-ɋ ring-ɋ up ʧe FB ὖ / 2 find oὥ if my bayB's aӆve-ive / yeah yeah yeah / oh oh oh oh oh oh